![]() #Space runaway ideon nihon review series#The bottom line is, I wanted to have a more realistic robot series – unlike a super robot – where everything is more reality-based, based on a humanoid robot. In an interview published in Animerica magazine, Tomino discusses what he was trying to accomplish with Mobile Suit Gundam: Shows such as Combat Armor Dougram and Walker Machine Xabungle followed the trail Tomino had blazed. Not surprisingly, Real Robots became all the rage after Gundam. Single-handedly inventing the “Real Robot” subgenre, Gundam forced all of its predecessors to be redefined as part of the “Super Robot” subgenre. With its new, realistic approach to giant robots, Gundam changed the face of mecha anime and split the genre into two. Mark Simmons discusses the impact of Gundam in his book, “Gundam Official Guide”: In 1979, Tomino directed and wrote Mobile Suit Gundam, which was highly influential in transforming the Super Robot mecha genre into the Real Robot genre. The lead character, Haran Banjo, is considered one of the most multi-layered and fascinating anime characters in history. The series introduced many “pastiche” elements which became popular in the Eighties. In 1978, Tomino conceived, wrote and directed the successful Super Robot series Daitarn 3, which featured an unusual mix of spy adventure, drama, sci-fi and irony. Certain sources cite this series as the origin of a nickname used by some anime fans, “Kill ‘Em All Tomino” ( 皆殺しの富野, Minagoroshi no Tomino), due to the high number of character deaths (although Tomino had directed and worked in a number of series in which the vast majority of the protagonists survive). ![]() Tomino also later worked on 1977’s Voltes V. Raideen was renowned and influential in its innovative portrayal of a giant machine of mysterious and mystical origins, and has gone on to inspire numerous other directors and series, including Yutaka Izubuchi’s 2002 series, RahXephon. In 1975, Tomino worked on Brave Raideen, his first mecha work, in which he directed the first 26 episodes. ![]() However the viewers learn later on that the story was not so black and white after all. The star, Triton, a 10-year-old boy, is the last survivor of the Tritons, a tribe from Atlantis that was wiped out by the supposedly evil Poseidons. This show, loosely based on Osamu Tezuka’s manga Blue Triton, showed a different perspective than the traditional “good vs. Tomino made his directorial debut with 1973’s Triton of the Sea ( 海のトリトン, Umi no Toriton). His newer work includes Brain Powerd (1998), Turn A Gundam (1999), Overman King Gainer (2002) and most recently, Gundam Reconguista in G (2014). ![]() Tomino is noted for directing several well-known anime series throughout his career, such as his most notable work, the Mobile Suit Gundam series, beginning in 1979, and which was later followed onto numerous sequels, spinoffs and merchandising franchises, Aura Battler Dunbine, Brave Raideen (in which he directed the first 26 episodes), and numerous others. Tomino has collaborated (as Iogi) with artists such as Yoko Kanno, Asei Kobayashi, MIO and Neil Sedaka. Tomino is known for using numerous pseudonyms for miscellaneous staffing roles that he performs in his works, including Minami Asa ( 阿佐 みなみ, Asa Minami) and Minoru Yokitani ( 斧谷 稔, Yokitani Minoru), which are used to credit himself for screenplays and storyboards he creates, Rin Iogi ( 井荻 麟, Iogi Rin), which he uses to credit himself for theme song lyrics he writes. Two anime series directed by Tomino ( Mobile Suit Gundam in 1979– 80 and Space Runaway Ideon in 1980) won the Animage Anime Grand Prix award. He has also won numerous awards, including the “Best Director” award at the recent 2006 Tokyo International Anime Fair (for the 2005 film Mobile Suit Zeta Gundam: Heirs to the Stars). Tomino is perhaps best known for his transformation of the “Super Robot” mecha anime genre into the “Real Robot” genre with 1979’s Mobile Suit Gundam, the first in the Gundam franchise. He later became one of the most important members of the anime studio Sunrise, going on to direct numerous anime through the 1970s, 1980s and 1990s. Tomino began his career in 1963 with Osamu Tezuka’s company, Mushi Productions, scripting the storyboards and screenplay of the first Japanese anime television series, Tetsuwan Atomu (also known as Astro Boy). ![]()
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